Today, the sound of a siren and the flashing red or blue lights make drivers clear the road to make way for the emergency vehicles. They trump all normal road rules because of the importance of their job.
Royal Mail Coach guard in uniform with his clock carrying bag and coaching horn.
In Regency England the road was ruled, not by a siren but by a horn, one carried by the mail coach guard.
This wasn’t the overcrowded stage coach you sometimes hear about. The Royal Mail Coach traveled fast and kept to a very strict schedule, hence the use of the mail coach guard and his horn.
The guards were issued a uniform that looked strikingly similar to the ones used by the military. They were also given guns, a watch, and a very long, tin horn. The watches were all synchronized in London and any variance from the schedule had to be recorded along with the reason for the delay.
Along with providing protection for the coach, the guard would blow the horn. Different tunes meant different things. Some were simply an message to fellow drivers to get out of the way or letting people know they were turning.
But two of the tunes were vital to keeping the mail coach on target.
Royal Mail Coach via Wikimedia Commons
One let postmasters along the route know they were coming. If the coach wasn’t scheduled to stop and change horses or some other necessity, the mail for the town was dropped at the postmaster’s feet while the postmaster tossed up the bag of outgoing mail for the guard to catch.
Another let tollgate operators know the Royal Mail Coach was coming and to open the gate. The mail coach didn’t pay the tolls and didn’t stop at the gates. If the operator didn’t have the gate open in time, he could face a very hefty fine.
Knowing the importance and the power of the horn, it’s no wonder that many of the mail coach guards had their own made out of materials much finer than mere tin.
Though the uniforms have changed and the mail delivery vehicles now have to follow all the rules of the road, the Royal Mail in England is still a very efficient machine. You can see the Top Gear guys try to race a letter across the country in a Porshe here.
Camy here! I was having a discussion with a friend about how Regency romance lovers find new Regencies to read.
I usually do it by word of mouth—recommendations from readers on a Goodreads group forum board, or from blogs like this one.
I was curious how you find the new Regencies you read/buy/borrow?
You don’t have to do this, but what I did was go look through my book catalogue database. I use Booxter, which is a Mac program that enables me to enter all the books I’ve read and/or own. I can organize it and search it as I like, which makes it very useful. I went to all the Regency romances I have and sorted it so that I could see the last 10 books I most recently obtained.
Four books were ebooks I bought from Regency authors I already know I enjoy. I get their newsletters and when they had a new Regency available on ebook, I bought it.
Two books were given to me as gifts from a friend who had extra copies of an author’s books.
Two books were free ebooks that I saw advertised somewhere, either on Facebook or BookBub.
The last two books were actually two of three books that I got from Paperbackswap. They are out-of-print Traditional Regency Romances that were published by Signet in the 80s and 90s and are now only available as used paperback copies.
(On a side note, I really wish these old Regencies were available as ebooks! However, I know there’s a lot of factors involved in putting an out-of-print book out in ebook—who owns the rights, if the right-holder has the resources or the time to format the book for e-publishing and get the cover, write the blurb and metadata, upload it to the websites, etc.)
So … how about you? You don’t have to be as exact as I did, but how do you find new Regencies to read and/or buy?
Migrations have happened through the ages. So peoples in even during the Regency had wanderlust, a strong desire to see the world. And dare I say it, they even moved beyond the ballrooms of Almack’s. They traveled, they went on holiday, and upon occasion they conquered.
After the Seven-Year War, George Macartney in 1773, talked of the vastness of England’s reach, “the British Empire on which the sun never sets.”
The common attitude of having at least 184 colonies (accumulated from the 1700’s to 1950’s) around the globe supports the concept, making adaptations of the phase very popular:
“The sun never set on the British Flag” (Rev. R. P. Buddicom, 1827)
“The sun never set on British Empire” (Christopher North 1839)
When I study the list of colonies, I believe they are quite right:
Antigua and Barbuda
Dog Island, Gambia
Mombasa
Sabah
Archipelago of San Andrés, Providencia and Santa Catalina
East Jersey
Colony of Natal
Saint Christopher-Nevis-Anguilla
Province of Avalon
Essequibo (colony)
New Brunswick
Saint Kitts and Nevis
Bangladesh
Falkland Islands Dependencies
New England Colonies
Sarawak
Barbados
Fiji
New Hampshire
Crown Colony of Sarawak
Basutoland
Florida
Province of New Hampshire
Sheikhdom of Kuwait
Belize
British Gambia
New Hebrides
Singapore
History of Belize
Gambia Colony and Protectorate
New Jersey
Singapore in the Straits Settlements
Bengkulu
The Gambia
Province of New Jersey
Post-war Singapore
Berbice
Georgia (U.S. state)
New South Wales
South Africa
Bermuda
Province of Georgia
New York
South Australia
Black River (settlement)
Gibraltar
New Zealand
South Carolina
British Honduras
Gilbert and Ellice Islands
Colony of New Zealand
Province of South Carolina
British Bencoolen
Gold Coast (British colony)
Newfoundland and Labrador
South Sudan
Colony of British Columbia (1858–66)
Grenada
Newfoundland Colony
Southern Colonies
Colony of British Columbia (1866–71)
Guadeloupe
Nicobar Islands
Stoddart Island
British Kaffraria
British Guiana
Nigeria
Straits Settlements
British West Indies
Heligoland
Nikumaroro
Sudan
British Western Pacific Territories
Hilton Young Commission
North Australia
Swan River Colony
Brunei
History of West Africa
Crown Colony of North Borneo
Tasmania
Burma
Hong Kong
North Carolina
Colony of Tasmania
British rule in Burma
British Hong Kong
Nova Scotia
Thirteen Colonies
Canada
India
Nyasaland
Tobago
Province of Quebec (1763–91)
Jamaica
Ohio
Tokelau
Province of Canada
Colony of Jamaica
History of Ohio
Transvaal Colony
The Canadas
Jordan
Ohio Country
Trinidad
Cape Breton Island
Kunta Kinteh Island
Operation Sunrise (Nyasaland)
Trinidad and Tobago
Cape Colony
Crown Colony of Labuan
Orange River Colony
United States
Province of Carolina
Lagos
Orange River Sovereignty
Historic regions of the United States
Carriacou and Petite Martinique
Lagos Colony
Pakistan
Upper Canada
British Ceylon
Lakshadweep
Territory of Papua
Van Diemen’s Land
Chesapeake Colonies
British Leeward Islands
Pennsylvania
Colony of Vancouver Island
Chopawamsic
Lower Canada
Province of Pennsylvania
Victoria (Australia)
Colonial Nigeria
Maine
Plymouth Company
Colony of Virginia
Colonial Fiji
Malabo
Prince Edward Island
Walvis Bay
Côn Đảo
British Malaya
History of Pulicat
Weihai (British Colony)
Connecticut
Malayan Union
Colony of the Queen Charlotte Islands
Wessagusset Colony
Connecticut Colony
Malaysia
Queensland
British West Africa
Cook Islands
Malta
Restoration (Colonies)
West Indies Federation
Cook Islands Federation
Crown Colony of Malta
Colony of Rhode Island and Providence Plantations
West Jersey
Cyprus
Massachusetts
Northern Rhodesia
Western Australia
British Cyprus (1914–1960)
Province of Massachusetts Bay
Colonial history of Southern Rhodesia
Western Samoa Trust Territory
Delaware
Mauritius
Southern Rhodesia
British Windward Islands
Delaware Colony
Middle Colonies
Rivers State
Wituland
Demerara
Minorca
Rodrigues
Zimbabwe
Demerara-Essequibo
Mississippi
Rupert’s Land
Zulu Kingdom
Lately, I have been thinking about the hopes and dreams that sent people on a journey to an unknown world. Was it religious freedom like the Quakers? Could it be the quest of gold or the hope for eternal gold by proselytize a different people? What attitudes did they bring? Did social station withstand the hard work of building a colony timber by timber?
For my birthday (March 13 – shameless plug), my lovely husband bought me two copper engraved maps, one of England (1810) and one of South African (1835). I see stories brewing. Stay tuned.
References:
Bartlett, John (1865). Familiar quotations (4th ed.). Boston: Little, Brown and Company. p. 388.
Bacon, Francis (1841). “An Advertisement Touching a Holy War”.
Maritime Enterprise and the Genesis of the British Empire, 1480-1630.
While the first known photograph was taken not long after the Regency period closed, the idea of capturing someone’s likeness was hardly new. Portraits, sketches, and tapestries have existed for many years, giving us glimpses of the history before there were cameras.
Amadeus Mozart and his sister, 1765
But a portrait was time consuming and expensive. Only the very wealthy and important sat for multiple portraits in their lifetimes. It wasn’t uncommon for someone, even of the middle class, to have only one portrait done in a lifetime.
At least, it wasn’t uncommon until the miniature portrait rose to popularity.
Miniature portraits had been around for a long time, but in the late 1700s a new technique was developed that made then sturdier, easier, and even smaller. They were stippled onto ivory backings using tiny dots.
When King George III’s wife wore a miniature portrait of him on her wrist while sitting for a full size portrait of her own, the craze began. Even the middle class got into the game, since smaller portraits required less time and supplies and were therefore considerably less expensive.
People could even afford to commission portraits of their children and significant events.
Royals had several made to give out as tokens to dignitaries and honored friends.
Through the Regency period, multiple painters switched to making their entire livings off of miniature portraits. Ranging from 1 to 7 inches tall, these portraits were used to remember a loved one, whether distant or deceased, commemorate milestones, and as secret tokens of love.
Princess Charlotte’s eye
Close-up miniatures of eyes or even mouths were given as intimate tokens of love, sometimes rather inappropriately. Because a single eye couldn’t be identified as any particular person, the painting could be given in secret, with only the recipient knowing who was really in the picture.
Once painted, the smaller miniatures were set into jewelry, including brooches, necklaces, and bracelets. Larger ones were framed, possibly kept on bedside tables or in other living areas, providing easy access to the beloved images without restraining them to a gallery or significant wall space.
While there aren’t any examples of someone immortalizing their favorite chocolate cake on a brooch, beloved pets or homes were occasionally painted as well.
All pictures obtained from Wikimedia Commons. Click on picture to go to original posting.
Congratulations to Merry for winning the drawing for a copy of Brentwood’s Ward! Check your email for more details from Michelle!
While Merry is entertaining herself with the adventures of Nicholas and Emily, the rest of us can have some fun of our own.
I found these really fun links from Deviant Art. It’s virtual Regency paper dolls. The time I spent playing around on this site could be why this post is late this morning… oh well.
Here’s the Regency couple I made:
Aren’t they adorable?
You can make your own Regency couple at the links below.
Unfortunately there isn’t a way to post pictures in the comments, but if you make a character and post it elsewhere (Twitter, Pinterest, Facebook, Tumblr, etc.), please leave the link below. We’d love to see them!
Technical Directions for saving the picture:
On a PC running Windows 7 or higher, go to the Start menu and search for the “Snipping Tool”. Select new and drag a square around your picture. Then save it.
I don’t have a Mac, but the internet says you can do something similar in OSX by pressing command + shift + 4.
If these methods don’t work for you, search the internet for how to do a screen capture on your operating system. If you end up with the entire screen, you can go to pic monkey to crop it. (Select edit, load your picture, then select crop. Save your picture to your computer.)
Trust. It’s not something people give easily anymore. Between media snafus, misleading internet articles, and photoshop, it’s hard to know what to believe in, so we choose to trust in nothing and no one but ourselves.
I saw a lot of elements of trust play out in Michelle Griep’s Brentwood’s Ward. Trust of ourselves, of others, and of God.
Without giving away too much of the book, I can tell you that at the beginning of the book Nicholas Brentwood doesn’t put much trust in anyone but himself. Even when he knows he should be trusting God, he struggles with shouldering the entire pressure of finding a solution to his sister’s problem. Interestingly, this situation requires him to trust people he barely knows to help him.
Throughout the book, Emily and Nicholas have to learn to trust each other as well as God. When they don’t learn this lesson quickly enough, bad things start to happen. While Nicholas wants Emily to trust him and be honest with him, he isn’t very forthcoming with her. Only when the trust becomes a two-way street do they start to see their relationship blossom.
I loved Nicholas’ sister in this book. For me, she stole every page she was on with a shining light of one who trusts in God completely.
Do you struggle with deciding who to trust and who not to? When tough situations arise, do you keep your trust in God or do you try to control your own future? Perhaps taking a little journey with Emily and Nicholas will help you sort things out.
Leave a comment below to be entered into a drawing for your own copy of Brentwood’s Ward. Everyone who comments on the book’s posts over the last two weeks will be entered. Drawing will take place Sunday, March 1.
As a nerd, I love patterns. I’m trained to find patterns. But today there is one I don’t want to see. There’s a pattern—and it is costing Black women their lives. Not just in the streets, but in their homes… in their relationships… even in childbirth.
This is a pattern we can no longer pretend we don’t see.
There is a pattern emerging—no, not emerging, persisting—and it is costing Black women their lives.
We cannot keep calling these stories “isolated incidents.” We cannot keep lowering our voices when the truth demands a roar. What we are witnessing is a crisis: intimate partner violence against Black women, compounded by a maternal health system that too often fails them at their most vulnerable. Love should not be lethal. Pregnancy should not be a death sentence. And yet, for far too many Black women, both are becoming dangerous terrain.
In April 2026 alone, we’ve lost:
• Dr. Cerina Wanzer Fairfax, a 49-year-old dentist and mother, killed on April 16 by her estranged husband in an apparent murder-suicide.
• Nancy Metayer Bowen, Vice Mayor of Coral Springs, found dead on April 1; her husband was charged with premeditated murder.
• Pastor Tammy McCollum, 58, killed on April 6 in her North Carolina home by her husband.
• Ashly “Ashlee Jenae” Robinson, 31, a content creator who died under suspicious circumstances on April 9 while traveling with her fiancé after documented domestic conflict.
• Qualeshia “Saditty” Barnes, 36, a pregnant Detroit rapper, shot and killed in Atlanta on April 8, reportedly by her boyfriend.
• Davonta Curtis, 31, a Black trans woman beaten to death on April 8 by her boyfriend.
• Barbara Deer, 51, an educator killed on April 15 in a murder-suicide.
• Ashanti Allen, 23, eight months pregnant, murdered before she could bring life into the world.
Say their names. Hold them in your mouth. Refuse to let their stories be reduced to footnotes beneath the names of the men who killed them.
Because that is what often happens—we learn more about the killers than the women whose lives were stolen.
This is not a coincidence. This is not rare. This is systemic, cultural, and deeply rooted.
According to the Institute for Women’s Policy Research, more than 40% of Black women will experience domestic violence in their lifetime, compared to 31.5% of women overall. The National Center for Victims of Crime reports that 53.8% of Black women experience psychological abuse, and 41.2% experience physical abuse. These are not small numbers. These are not anomalies. These are patterns.
Let me repeat: 32% of all women experience domestic violence. 40% of all Black women experience this violence. This should not be.
Violence against women begins early.
Teen dating violence already lays the groundwork. Data from Basile et al. (2020) shows that about 8% of high school students experience physical dating violence, with girls disproportionately affected—9% of girls versus 7% of boys. Sexual violence is even more skewed: 13% of girls compared to 4% of boys. These are children learning, too soon, that love can hurt.
Then comes adulthood. Then comes partnership. Then, for many, comes pregnancy.
And pregnancy—what should be a sacred, supported, protected time—becomes one of the most dangerous periods in a Black woman’s life.
The Centers for Disease Control and Prevention (CDC) reports that in 2023, Black women experienced 50.3 maternal deaths per 100,000 live births, compared to 14.5 for White women. That is more than three times higher. The Kaiser Family Foundation (KFF) confirms this disparity persists across income and education levels. This is not about individual choices. This is about systemic failure.
Even more devastating: over 80% of pregnancy-related deaths are preventable.
Preventable.
Let that word sit with you.
Black women are dying not because we don’t know how to save them—but because we are not saving them.
Structural racism, provider bias, unequal access to care, and the chronic stress of navigating a world that devalues Black womanhood all contribute. Black women are more likely to be ignored when they report symptoms, more likely to have their pain dismissed, and more likely to receive delayed or inadequate care.
When you layer that on top of intimate partner violence, the risk multiplies.
What is this pattern telling Black women?
Work. Survive. Endure. But do not expect to be protected. Do not expect to be safe in love. Do not expect to be heard in pain.
Is that the message?
Because if it is, then we must reject it—loudly, collectively, and without apology.
I am one of the lucky ones.
I have a loving husband. I was supported. When complications arose during my pregnancy—when my daughter Ellen’s heart rate dropped in half with every push—my doctors and nurses listened. They acted. They ordered an emergency C-section. They saved her life. They saved mine.
My daughter is alive and thriving today because I was heard.
But I should not be the exception.
My story should not sound miraculous. It should sound standard.
Advocacy should not be a privilege. Quality care should not be a lottery. Survival should not depend on luck.
And safety—safety in our homes, in our relationships, in our bodies—should never be negotiable.
On that X platform—yes, I haven’t found a way to quit yet—I saw a post by Bishop Talbert Swan. He quoted Malcolm X, who said, “The most disrespected person in America is the Black woman. The most unprotected person in America is the Black woman.”
Then he had a call to arms:
That truth still echoes today.
We cannot protest violence in the streets and excuse it in our homes.
We cannot call out injustice from systems and ignore harm within our communities.
We cannot demand accountability from others and remain silent among ourselves.
He said Black men must hold other Black men accountable. I agree. I can check on my husband, brothers, and nephews and make sure they are in good headspaces, and, as much as I can, make sure they are in healthy relationships. I need everyone else to do the same.
We need to be our brothers’ keepers. But we also need to be our sisters’ refuge. When she is in trouble, we need to be safe spaces. We need to help advocate in those moments when she is weak and vulnerable.
Our love and care should not be in whispers—not one way in public and absent behind closed doors. If you need help, get it. Call 800-799-7233 or text BEGIN. These are 24/7 resources for help.
I spoke with multi-published romance author Jacquelin Thomas who recently completed her Master’s-level coursework in Clinical Mental Health Counseling for advice for my audience, she said, “In moments of domestic violence crisis, the priority is safety—not resolution. A safety plan should be simple, practical, and personalized. It should include identifying a safe place to go in an emergency, having a list of trusted people to contact, and keeping important items ready (such as ID, medications, keys, a prepaid cell phone, and cash).” She also said to plead with my audience, to prioritize immediate safety.
Save your life, the life of your children or spouse—leave.
Please don’t care about image. This is about lives.
The violence, the lack of care—it is a symptom of patriarchy. It’s control and entitlement.
Don’t let anything keep you from getting help. Protecting women is not optional. Protecting Black women, children, and babies is not negotiable.
If we fail to confront this—honestly, boldly, and without deflection—then we are guilty. We should not be the ones writing tweets saying we wished we had done more.
To all those touched by domestic violence or the lack of maternal care, I offer you prayers and wishes for peace.
We have less than two weeks left in April. Let’s not have more names to say. But let’s keep the ones who have fallen victim in our thoughts., in our prayers, on our lips, and please:
Hold abusers accountable—no matter who they are.
Send grace and love to your Black sisters.
Our survival should not be luck.
Being Black should not require survival against the odds. Being a woman should not increase the risk I endure because I chose love. Survival should simply require the right to breathe.
The Housemaid by Freida McFadden is a psychological thriller involving manipulation, control, and hidden abuse in a domestic setting. As the Guardian says, these kinds of thrillers are popular for exposing how violence can hide behind “perfect homes.”
Any book by Jacquelin Thomas but try Samson. Samson is about a man who’s lost his way finding his way back. I am so proud of madame counselor. You can find Jacquelin on Therapy Finder. It’s not often you can get help from an author hero.
And if you just want to raise a sword and slay the dragons, consider purchasing Fire Sword and Sea, my latest release and all these books from The Black Pearl Bookstore. They still have a few signed copies of Fire Sword and Sea.
You can also try one of my partners in the fight, bookstores large and small, who are in the trenches with me.
You can find my notes on Substack or on my website, VanessaRiley.com, under the podcast link in the About tab.
Enjoying these essays? Go ahead and like this episode, share, and subscribe to Write of Passage so you never miss a moment.
Thank you for being here.
I want you to come again. This is Vanessa Riley.
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“You can’t buy happiness, but you can buy coffee . . . and that’s pretty close.”
~ Anonymous
Hipsters may think they’re trendy by hanging out at the local coffee house, but nursing a cup of java while discussing the politics of the day has been around a long, long time. In England, this dates back to the seventeenth century. Surprise! Who’d have thought those proper tea-drinking Brits even knew what coffee was?
Here are a few fun facts:
First coffee house opened in Oxford, 1650.
In the 17th and 18th century, there were more coffee houses in London than today.
A mug o’ joe cost a penny, which was a great price because you also gained an education. It was said that a man could “pick up more useful knowledge than by applying himself to his books for a whole month.” Hence the nickname: Penny Universities.
English coffee houses started the custom of tipping servers. Patrons who wanted good service and better seating would put some money into a tin labeled “To Insure Prompt Service (TIPS).
In my Regency era historical, BRENTWOOD’S WARD, I highlight the coffee house phenomenon by setting a scene at The Chapter Coffee House. Women of the times didn’t usually frequent such establishments, but this historical venue is a little different. It was a known haunt of booksellers, writers, and literature hounds. Even Charlotte Brontë visited on occasion.
And just in case you’re wondering if historical coffee would taste the same as today’s brews, here’s a recipe so you can try it yourself:
Coffee ~ A Regency Recipe
Put 2 oz. of fresh-ground quality coffee into a coffeepot. If you must take your coffee extremely strong, use 3 oz. Then pour 8 coffee-cups worth of boiling water atop. Let it rest for 6 minutes. Then add in 2 or 3 isinglass-chips and pour one large spoonful of boiling water on top. Set the pot by the fire to keep it hot for 10 more minutes, and you will have coffee of a supreme transparency.
Serve with fine cream and either fine sugar as well, or pounded sugar-candy.
Whether you love coffee, or love to hate coffee, there’s no denying its deeply imbedded in societies all around the world, present and past. And if you’re looking for a great read to go along with your mug o’ joe, here’s a blurb for BRENTWOOD’S WARD . . .
Place an unpolished lawman named Nicholas Brentwood as guardian over a spoiled, pompous beauty named Emily Payne and what do you get? More trouble than Brentwood bargains for. She is determined to find a husband this season. He just wants the large fee her father will pay him to help his ailing sister. After a series of dire mishaps, both their desires are thwarted, but each discovers that no matter what, God is in charge.
Available in paperback, ebook, and audiobook formats at Amazon, Barnes and Noble, and other fine booksellers.
About the Author:
Michelle Griep’s been writing since she first discovered blank wall space and Crayolas. She seeks to glorify God in all that she writes—except for that graffiti phase she went through as a teenager. She resides in the frozen tundra of Minnesota, where she teaches history and writing classes for a local high school co-op. An Anglophile at heart, she runs away to England every chance she gets, under the guise of research. Really, though, she’s eating excessive amounts of scones.
For me, the month of February is a time to reflect on history and progress, as well as love. So, it is my pleasure to spend a little time with Michelle Griep on my southern porch. She’s a woman that writes both historical fiction and nonfiction. I thought you would like to get to know another side of one our Regency authors.
As I gussied up things, I decided to offer ripe strawberries dipped in a healthy dose of chocolate. I hadn’t had quite enough on Valentine’s Day, (thank you, Dear Hubby).
But my friend Michelle won’t have any. Not one bite.
“I hate fruit,” she said, “No, really. Not even strawberries.”
Ok, as I put the tray away for munching later, I begged Michelle to tell me more about herself, something far from London and the 1800’s.
“I am a Trekkie at heart, though I am not fluent in Klingon. Yet. I love to garden, specifically flowers and herbs. Reading is a huge passion of mine, as is eating chocolate, rollerblading, or walking my dog, Ada Clare, Princess of the Universe.”
Seriously, Michelle is a writer’s writer and has carefully studied the craft of writing for years, and as we celebrate her latest release, Brentwood’s Ward, she has also released a book on craft. How did you find the time between rollerblading and the Princess?
“I needed to get this book out. Writers of Regencies and other genres need to know, how do you go about composing and selling the next Great American Novel? WRITER OFF THE LEASH answers these questions and more–all in an easy to understand, tongue-in-cheek style. This is more than a how-to book. It’s my attempt to blow the lid off stodgy old-school rulebooks and make it clear that writing can–and should–be fun.”
Michelle Griep’s been writing since she first discovered blank wall space and Crayolas. Follow her adventures and find out about upcoming new releases at her blog, Writer Off the Leash, or stop by her website. You can also find her at the usual haunts of Facebook, Twitter, or Pinterest.
There’s none better than NICHOLAS BRENTWOOD at catching the felons who ravage London’s streets, and there’s nothing he loves more than seeing justice carried out—but this time he’s met his match.
Beautiful and beguiling EMILY PAYNE is more treacherous than a city full of miscreants and thugs, for she’s a thief of the highest order . . . she’s stolen his heart.
Intrigued? You should be!
That’s the description for the latest novel from our very own Michelle Griep.
Emily Payne doesn’t make a very flattering first impression on her temporary guardian, Nicholas Brentwood. Her second one isn’t much better.
He thinks she’s a spoiled excuse for a gentle lady and she thinks he’s a stuffy killjoy. What they both thought would a be a few weeks of escorting her to and from the stores quickly turns into a fight for their lives.
Before long their relationship is thrown into a territory neither is prepared to handle. Tragedy and danger have a way of doing that, after all.
So much more than a love story, Brentwood’s Ward will take you on a nail-biting adventure as justice and love try to prevail.
You have the opportunity to win a copy of Michelle’s latest tale by leaving a comment below. You can enter again on each post now through the end of next week. The winner will be chosen on February 28 and have their choice of print book or audiobook.